Salman Rushdie is the winner of the Best of Booker Prize for his Midnight’s Children. But how many Asian writers are recognised, encouraged in the UK? How many parents or young people see it as a career choice? Drama, dance, music, and the other arts have made great strides in being inclusive and Asians contribute and participate in these categories as they rightfully should. When it comes to writing, there seems to be a dearth of books by Asians especially in novels and poetry. Not even Asian magazines feature any articles on writing as a career for Asians. Why is this?
We can’t blame the publishing industry alone. Though one of the reasons given by many publishing houses is that Asian books are not ‘commercial enough’ to invest in! There is a need to get many writers to participate in every town and city that they live in. Whenever I go to book launches, book festivals I see very few Asians participating in it. Literature is an important aspect of society that we cannot ignore. It is our stories and poems that make our culture rich, and a heritage to be proud of. My own reasons for becoming a writer were because of this void.
Like all first-generation Asians, I was busy pursuing my career and raising a family since I arrived in Glasgow in 1969. As an avid reader, I was a regular visitor to major bookshops. There were few books written by British Asians in the 1970s. Hanif Kureshi was one of the few who had a body of work that was accessible to all. I had to order books or get books sent from India if I needed to read anything written by Asians. I always liked reading and writing so I took it upon myself to fill that void but found time only after I retired from full time teaching as a Principal Teacher of Modern Studies. I attended some courses in creative writing at Glasgow University and joined my local Strathkelvin Writers group, where I won the Margaret Thompson Trophy for new writing. It was that support from the fellow writers at Strathkelvin Writers group that helped me finish my first novel Twice Born and get it published in 2008.
While writing novel one, the idea for Bombay Baby had already formed in my mind. It was a photo in the Times newspaper of an Indian baby born to a Yorkshire couple by embryo transfer in India. The story flowed easily and the novel was published by Dahlia Publishers in 2011.
My short story collection Boxed In followed soon, published by The Pot Hole Press in e-reader format.
Writing and getting published is not easy, but if you have the passion and determination, it can be done. There is a lot of awareness now for the need for diversity in publishing. Small independent publishers are taking up the challenge and are reaching out and seeking writers. I hope this inspires new Asian writers to pick up their pens and get writing. Our voices need to be heard, we need to contribute to the mainstream literature of this country. We must leave a legacy for the next generations, something that tells them the stories of Asians in the UK. I also hope that a new award for Asian writers is introduced. If there is a MOBO for music, book prizes for women writers like the Bailey’s Women’s Prize for Fiction, it is high time there is a National Award for the best Asian novelist or poet in Britain. Participation by Asian midlist writers, not just big prize winners, in all aspects of writing is the key to diversity in literature published in the UK.
Get writing now.
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