SAND BUBBLER
crabs are not comical
but seem to live
most miserably
relying as they must
on an intertidal roster
to construct their lives
condemned like Sisyphus
to push small balls of sand
out of their burrows
to roll back
and dissolve
in the holes
they crouch beside
defensively
constantly
on the watch
for other crabs
wanting to steal shelter
without the bother
of excavation
although the effort
of constant battling
makes for sad scuttling
creatures shifting
about the sand
eyeing incoming tides
and neighbours
knowing these
will bring no ease
MY AUNT LIT A CIGARETTE.
She said: Get me out of here,
I can’t fit inside my own home,
let’s go to the middle of the ocean.
Out there, surrounded by the deep
blue, the seabed shallows up
into a circle of turquoise.
We can walk around the edge
of the depths, lie on our backs
soak in the colours.
My aunt lit a cigarette and haggled
with the boatman who put-putted
us past curious turtles and confetti
beneath the ripples. We were alone,
three people mid-ocean, seabirds, fish.
The boat idled and I slid into liquid sky,
floated to the edge and swam beyond it.
Still in the boat, my aunt lit a cigarette.
Did you know your grandmother shot a man?
She was threatened by a mob. It was hushed up.
Casually she flicked her ash over
the bombshell and I climbed back into the boat.
When we left, the boatman gave me a conch.
It sits in my garden still,
the delicate pink interior dulled
by the calc of London rain.
SMOKE FADES
into the third prick of naked flame
comes the rush of mint and sesame
heard as a long sigh
ending
fire is invisible within its smoke
naked it crackles and curls
prongs of flame provoke
a holey metamorphosis
three perforated statues fixed
in a zig-zag of light inside the inferno
filing iron sparks into three columns
of smoke silence murk
nakedness guarantees the vulnerability
that accompanies nakedness inside and out
no guarantee of the outcome when flame dies
and smok
NAVIGATION AIDS
I find a stone of you
the shape of your skull
the line of your jaw
sardonic lift of brow
I turn you over
you look more pissed off
that’s not unusual
I am not uneasy
but your eyes remain closed
there is an unusual lustre to you
a new network of cracks and creases
I find something else
this distance from home
I become happy
>
you come at me slowly as clockwork
rotating your blades
sharpening the dullness to a point
where the green flash of sunset
exits the scarlet sea
perception shifts
horns wail from the jazz clubs
and the chant of compline prayers
trickles from chapel doors
to settle like stars or dandruff
on our salt-washed hair
weightless dust that covers us
this distance from home
I become happy
Gillie Robic was born in India and lives in London. Her first collection, Swimming Through Marble, was shortlisted and published in 2016 by Live Canon, who in October 2019, published her second collection, Lightfalls.