3 poems by Ruth Horsfall

Ruth Horsfall is a queer writer living and working in the UK. She grew up a settler on unceded Wiradjuri lands in Australia. Ruth has conventional interests such as reading and writing poetry and Harry Styles. She has previously been published in the online magazines Young Vagabond and Lipmag.

WOMEN ON THE TUBE/WHO I’D LIKE TO KISS

When I get on the tube, first I notice their shoes, and how they match the rest of their outfit, buttressing a swaying body, or delicately hanging from a crossed leg, toe pointed directly at my heart. Wearing lipstick, wearing delicious cupids bows, wearing my favourite earrings, nudging their soft necks as the train pulls away from the station. A shirt my mum would call smart. When they have their heads lean forwards, errant locks of hair dangle over their phones, and I’m jealous of the screen for being tickled by them. Later on, as they walk past me and their tailwind breezes softly along the bridge of my nose and it’s always the smell of unrequited love, the girl who was a friend first, the girl who made me feel decadent and reckless. The women who only exist as ghosts in the dregs of my compulsive heteronormativity. A coat that’s always just right for the season and a fresh manicure, wondering how those long fingers would feel on my waist, wrapped in my hair for warmth, around my neck.

GHAZAL WHILE THINKING ABOUT COFFEE MADE BY YOU

Sleep dissolves on Monday, my heart a sturdy bowl,

your alarm is retching in my ear, the coffee’s not yet cold.

Your skin always speaks before you do. I imagine you

as the bottom of a tub of e45, sleek and slippery cold.

I remember the first coffee was strong, frankly, it scared me,

but for the gently showered scalp, wet hair, fingertips cold.

I fill your bed with my sloughed skin and expect you to be

grateful. I whisper my skin cells matter, catch me like a cold.

But you still bring me coffee, even if you find you have to say

‘I don’t know how you drink this Ruth; it’s gone completely cold.’

MY NEPHEWS HAVE TOES

I honestly find it so rude that my nephews

have these tiny little toes, 

five perfect mushroom caps that

would be so soft against my cheek

and each time I come upon their toes

in a photo, I am arrested by their quietly 

modest but irrepressibly adorable presence. 

My nephew’s toes are new beginnings,

swelling hearts and fierce tears of 

longing and possibility and grief 

for all that I miss and I want them to know 

how important they are, and their toes, most of all.

I wonder when they will meet a person of colour

or someone gay or their partner, see my normality,

and be so fully formed. I want them

to be angry and queer and think that

their identity politics will save the world

before they discover class warfare

and tell you gently, but forcefully

I’m voting for a socialist. 

I want them to love me, and feel 

like they can be mad at me because

I’m trying to remember that conflict is healthy.

I want their toes and their heart to be a vessel

and to be full up, to care radically, and to crave 

emotional intensity and intimacy. Sometimes when 

their vessels are empty,  I want them to come to me

because I wanted to go to someone so badly.

When they read about their toes, I want them to ask 

me why their toes and I will say

something so devastatingly clever,

something I don’t even know how to say

yet and it will make them laugh, and 

their laughs will fall upon me and 

fill my own heart vessel with such unexpected 

care and tenderness.

Now that you're here

The Blue Nib believes in the power of the written word, the well-structured sentence and the crafted poetic phrase. Since 2016 we have published, supported and promoted the work of both established and emerging voices in poetry, fiction, essay and journalism. Times are difficult for publishers, and The Blue Nib is no exception. It survives on subscription income only. If you also believe in the power of the written word, then please consider supporting The Blue Nib and our contributors by subscribing to either our print or digital issue.

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Editor of Abhaile, Tracy Gaughan is constantly searching for fresh and innovative voices in poetry from Ireland or The United Kingdom: Submit to Abhaile.

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